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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Clyde Cameron

Clyde Cameron

Clyde Cameron (1913-2008), Labor politician and historian, worked as a shearer and union organizer before serving as a Member for Hindmarsh between 1949 and 1980.

1 portrait in the collection

Clyde Cameron

Clyde Cameron

Clyde Cameron

Clyde Cameron, 1974

Clifton Pugh AO

Portrait, oil on masonite

Collection: National Portrait Gallery
Gift of the Estate of Clyde Cameron 2012

Sketch of Clifton Pugh painting John Perceval

Clifton Pugh AO

Clifton Pugh AO was one of Australia’s best-known artists of the 1960s, 1970s and 1980s, and one of its leading advocates for the arts.

11 portraits in the collection

Bust of Frank McIlwraith

Frank McIlwraith

Frank McIlwraith was the London representative for the Australian periodical Smith's Weekly in the late 1930s.

1 portrait in the collection

Bust of Frank McIlwraith

Bust of Frank McIlwraith

Bust of Frank McIlwraith

Bust of Frank McIlwraith, 1937

Portrait, cast bronze, patinated

Gift of the Estate of the late Barbara Tribe 2009

Bruce Beresford on location

Bruce Beresford

Bruce Beresford (b. 1940), director, made his first film while an undergraduate at the University of Sydney in the early 1960s.

2 portraits in the collection

Bruce Beresford on location

Bruce Beresford on location

Bruce Beresford on location

Bruce Beresford on location, c. 1981 (printed 2004)

Robert McFarlane

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2003

Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

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Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

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Portrait Donors

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency